DivineSpace is founded by Shivangi Agrawal. Shivangi, a revolutionary Architect and IGBC AP, completed her bachelors from School of Planning and Architecture, New Delhi. She brings on board 12 years of rich experience of working with corporates in NCR, Mumbai and Pune before starting this practice. Shivangi has a great sense of contextual designing. She has a rich experience in high end to budget residential projects, retail, hospitality, corporate & commercial architecture and interior designing. She believes in understanding the client requirement, context of the project and site situation completely before offering design solutions. She has a creative eye for detail and a love for earthy, real and sustainable designs. She loves designing spaces which are peaceful, relaxing and divine. After all a space is an extension to our soul!
There is nothing Aeris St. Cloud wants more than to win her father's love and the acceptance of her family unit by joining the Military Academy at New Hope. But after she is captured by the fearsome space pirate, Captain Chainsword, Aerie is certain falling in love with her nation's archenemy is the last possible way to earn their coveted esteem.
Divine Space
Delmar DivINe is currently fully leased. If you would like to inquire about future opportunities, please contact Jorge Riopedre at 314-709-0767 or jorge@delmardivine.com for more information. You can also fill out an inquiry survey.
We will have a community of over 30 nonprofits, all of which will have free access to over 18,000 square feet of shared space that encourages collaboration, including conference rooms, meeting spaces, a podcast studio, a fitness center, and an auditorium. Bolstered by capacity building training from Washington University and concierge services that will help with day-to-day problem solving, the agencies will be able to increase their efficiency and effectiveness.
We also serve the community of the Central West End neighborhood and the surrounding 63112 ZIP code in which Delmar Divine resides. We will deliver a variety of programs for the residents of these neighborhoods, primarily in a dedicated 7,000-square-foot space on the main floor of our building. These activities will be based on input from the neighborhood residents and a Community Collaborative Board made up of area stakeholders. The programs will be held at regular intervals and be free of charge to neighborhood residents. In addition, neighborhood groups will be invited to use the space, featuring state-of-the-art information technology and high-speed internet, for their community meetings.
Across the United States, historically black colleges and universities (HBCUs) have developed a tradition of providing a gathering space for the Divine Nine. For well over 50 years, it has been an established HBCU tradition to provide these plots as a visible way to commemorate legacies of the Divine Nine on college campuses.
Across the United States, historically black colleges and universities (HBCUs) have developed a tradition of providing a gathering space for the historically black Greek-letter organizations that make up the National Pan-Hellenic Council (NPHC), often collectively called the Divine Nine. For well over 50 years, it has been an established tradition for institutions to provide these plots as a visible way to commemorate legacies of the Divine Nine on their campuses.
Contemporary American culture is on trial, and the worst woman in the world is on hand to help figure out what's wrong with us. Performance Space New York will present DIVINE JUSTICE, Ariana Reines' 24-hour durational drama situating the feminine as the presumed authority of justice-and gathering attendees as artistic collaborators in creating a devotional space guided by the dialogue structures of restorative justice and musical and activist modes of call-and- response. DIVINE JUSTICE was made with the participation of Birgit Huppuch (Performer/Medea), Sunder Ganglani (Sound Design), Tuçe Yasak (Lighting Design), Marsha Ginsberg (Production Design), Ken Rus Schmoll (Drama Coach & Co-Director), Savitri D (Dramaturgy), and Yva Las Vegass (Musical Performance). A schedule of the proceedings-which include refreshments, meal breaks, more traditional performance events, meditation, conversation, and music-will be available on performancespacenewyork.org in the coming weeks.DIVINE JUSTICE takes Medea as a central figure and spiritual guide, trailed by the millenia of misogynist panic and taboo her myth has spawned-a myth that has gone under-explored precisely for that reason. Rather than look away from this figure, this work orbits her, unpacking the myth's haunting of perceptions of women's agency over their bodies-and equations of reproductive rights with murder in our era of increasingly authoritarian bodily control.
Together through the night and into the next day, the poet, playwright, and astrologer; fellow performers (including Obie Award-winning actress Huppuch, playing Medea); and ticketed collaborators summon the ancient and the divine to imagine: what would happen if the planet Venus, as it does in the Zodiac, presided over the law? What would a judiciary that really answers to Venus look like? What would count as right and wrong, when Venus rules? And what would be the consequences for wrongdoing under such a system? Drawing energy from the origins of Greek theater, Balkan women's folk singing, the direct-action artworks of Reverend Billy's Church of Stop Shopping, and the trope of the courtroom drama in American popular culture, DIVINE JUSTICE amplifies the inherent theatricality and occultism of the courtroom while overturning its value system.Reines conceived DIVINE JUSTICE in the wake of the hearings of Brett Kavanaugh and Kyle Rittenhouse, and their precise portraits of the judiciary as a theater of white masculine hysteria. This disillusionment with the American justice system and its structural incapacity to protect society's most vulnerable was further compounded by the May 2 Supreme Court revelations shattering hopes of decades of struggle to maintain reproductive rights-in the same breath as ornamented figures of lopsided power, influence, and cultural fixation were spilling onto the Gilded Glamor Met Gala red carpet.
The work's spiritual aesthetics reflect Eastern Orthodox sounds and visuals, averting the Christian Protestant overtones of our justice system-and nodding to Medea's provenance: Colchis, or contemporary Georgia. Savitri D, Reverend Billy and the Church of Stop Shopping co-founder, and one of Reines' collaborators on the project, described DIVINE JUSTICE this way: "It's like if you had to start a new religion and you had one day." New York is also a key part of the world Reines builds, working with Marsha Ginsberg (production design) and Tuçe Yasak (lighting design) to create a soft space bedecked in translucent veils that lets the city in and allows the movements of sun to take on their own role in changing the space. Similarly, the structuredness of the piece-in the timing of scenes, monologues, collective collaboration, open discussion, breaks for meals (including provided breakfast)-ebbs and flows in conjunction with time of day.Reines emphasizes the importance of this as the first performance work she's created for New York in seven years-why the world-building piece had to happen here, and why it had to be open to the city outside it. She says, "My mother is the paranoid schizophrenic daughter of Holocaust survivors. She became homeless in the year 2000, on the millennium. I was still in college in New York, and during my entire career in this city, I was housing my mother, or I was going to court on her behalf trying to get her housed or keep her housed. There came a time when I could no longer bear this: I gave my mother my apartment, from which she was eventually evicted, and left the city, touring the world for two solid years without anyplace to call home. It took almost two decades of effort and escalating tragedy, but the pandemic initiated a process through which my mom has finally received some treatment, and she is finally housed. The only reason I could say yes to this commission, with a heart full of gratitude, is that my mom is no longer on the street. This is why I have structured the piece as one, 24ish hour, living day- it's a gift to and from New York. Anyone who wants to leave at any time can leave, but I love the thought that you don't have to. And I miss throwing parties- when I lived in the city we had some great ones. As a collective we need some time and space together to ask some questions without reprisal, to share space in unusual ways, and to find a way forward in a time of unimaginable social grief, spiritual starvation, and mental pressure."
Ariana Reines is an award-winning poet, Obie-winning playwright, performing artist, and astrologer from Salem, Massachusetts. Her most recent collection, A SAND BOOK, won the 2020 Kingsley Tufts Prize and was longlisted for the National Book Award. She has created performances for the Solomon R. Guggenheim Museum, Swiss Institute, and MoMA, and with Jim Fletcher created and performed MORTAL KOMBAT at Le Mouvement Biel/Bienne, Galerie TPW, and the Whitney Museum. With Oscar Tuazon Reines created a series of herms, shown at Modern Art as PUBIC SPACE and later shown at LAXART & other spaces. POSSESSION, a sculptural & performance collaboration with Liz Magic Laser, opens at Pioneer Works in 2023. As a poet Reines has performed across the world, and has written texts for Niki de Saint Phalle, Justine Kurland, Carol Rama, Francesca Woodman, Ryan McGinley, Liz Larner, Sanya Kantarovsky, Nicole Eisenman, Fin Simonetti, Oscar Tuazon, and many other beloved artists. Her books, theatre, and poetry have been translated into a dozen languages. TELEPHONE, Reines's Obie-winning first play, was commissioned & produced by the Foundry Theatre, & published by Wonder. Reines is the 2022 Poet in Residence at the University of Wichita and the Mary Routt Chair at Scripps College, and has taught poetry at Yale, NYU, Tufts, & UC Berkeley, where she was the Holloway Lecturer. At the start of the Covid-19 pandemic Reines was a Divinity Student at Harvard, where she launched INVISIBLE COLLEGE, an internet experiment in poetic & spiritual research and community, which continues to this day in various corners of the informational superwebs. 2ff7e9595c
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